Work/Editorial

Editorial

I came up through the ground floor of unscripted, able to call on earlier producer and writing credits as non-linear editing exploded and the format rapidly evolved.

I learned the fundamentals of short-form storytelling in local news, then refined that foundation as an assistant editor on high-end commercials in New York. As non-linear editing transformed the industry, I brought my producing and writing experience to the early evolution of unscripted television. Throughout my career, I've explored new technologies and ways to tell stories, guided by a feel for structure, pacing, and emotion.